Standing

Chorus: /Tro/ Prologue

In Troy, there lies the scene. From isles of Greece

The princes orgulous, their high blood chafed,

Have to the port of Athens sent their ships,

Fraught with the ministers and instruments

Of cruel war: sixty and nine, that wore

Their crownets regal, from the Athenian bay

Put forth toward Phrygia; and their vow is made

To ransack Troy, within whose strong immures

The ravish'd Helen, Menelaus' queen,

With wanton Paris sleeps; and that's the quarrel.

To Tenedos they come;

And the deep-drawing barks do there disgorge

Their warlike fraughtage: now on Dardan plains

The fresh and yet unbruised Greeks do pitch

Their brave pavilions: Priam's six-gated city,

Dardan, and Tymbria, Helias, Chetas, Troien,

And Antenorides, with massy staples

And corresponsive and fulfilling bolts,

Sperr up the sons of Troy.

Now expectation, tickling skittish spirits,

On one and other side, Trojan and Greek,

Sets all on hazard: and hither am I come

A prologue arm'd, but not in confidence

Of author's pen or actor's voice, but suited

In like conditions as our argument,

To tell you, fair beholders, that our play

Leaps o'er the vaunt and firstlings of those broils,

Beginning in the middle, starting thence away

To what may be digested in a play.

Like or find fault; do as your pleasures are:

Now good or bad, 'tis but the chance of war.

— Shakespeare —

\Ulysses\ [1920]: Episode 11 – “Sirens”

Better write it here. Quills in the postoffice chewed and twisted.

Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He went. A pad to blot. He heard, deaf Pat.

—Yes, Mr Bloom said, teasing the curling catgut line. It certainly is. Few lines will do. My present. All that Italian florid music is. Who is this wrote? Know the name you know better. Take out sheet notepaper, envelope: unconcerned. It’s so characteristic.

—Grandest number in the whole opera, Goulding said.

—It is, Bloom said.

Numbers it is. All music when you come to think. Two multiplied by two divided by half is twice one. Vibrations: chords those are. One plus two plus six is seven. Do anything you like with figures juggling. Always find out this equal to that. Symmetry under a cemetery wall. He doesn’t see my mourning. Callous: all for his own gut. Musemathematics. And you think you’re listening to the etherial. But suppose you said it like: Martha, seven times nine minus x is thirtyfive thousand. Fall quite flat. It’s on account of the sounds it is.

Instance he’s playing now. Improvising. Might be what you like, till you hear the words. Want to listen sharp. Hard. Begin all right: then hear chords a bit off: feel lost a bit. In and out of sacks, over barrels, through wirefences, obstacle race. Time makes the tune. Question of mood you’re in. Still always nice to hear. Except scales up and down, girls learning. Two together nextdoor neighbours. Ought to invent dummy pianos for that. Blumenlied I bought for her. The name. Playing it slow, a girl, night I came home, the girl. Door of the stables near Cecilia street. Milly no taste. Queer because we both, I mean.

Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite flat pad. Pat took plate dish knife fork. Pat went.

It was the only language Mr Dedalus said to Ben. He heard them as a boy in Ringabella, Crosshaven, Ringabella, singing their barcaroles. Queenstown harbour full of Italian ships. Walking, you know, Ben, in the moonlight with those earthquake hats. Blending their voices. God, such music, Ben. Heard as a boy. Cross Ringabella haven mooncarole.

Sour pipe removed he held a shield of hand beside his lips that cooed a moonlight nightcall, clear from anear, a call from afar, replying.

Down the edge of his Freeman baton ranged Bloom’s, your other eye, scanning for where did I see that. Callan, Coleman, Dignam Patrick. Heigho! Heigho! Fawcett. Aha! Just I was looking...

Hope he’s not looking, cute as a rat. He held unfurled his Freeman. Can’t see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I put? Some pock or oth. It is utterl imposs. Underline imposs. To write today.

Bore this. Bored Bloom tambourined gently with I am just reflecting fingers on flat pad Pat brought.

On. Know what I mean. No, change that ee. Accep my poor litt pres enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the gulls. Elijah is com. Seven Davy Byrne’s. Is eight about. Say half a crown. My poor little pres: p. o. two and six. Write me a long. Do you despise? Jingle, have you the? So excited. Why do you call me naught? You naughty too? O, Mairy lost the string of her. Bye for today. Yes, yes, will tell you. Want to. To keep it up. Call me that other. Other world she wrote. My patience are exhaust. To keep it up. You must believe. Believe. The tank. It. Is. True.

Folly am I writing? Husbands don’t. That’s marriage does, their wives. Because I’m away from. Suppose. But how? She must. Keep young. If she found out. Card in my high grade ha. No, not tell all. Useless pain. If they don’t see. Woman. Sauce for the gander.

A hackney car, number three hundred and twentyfour, driver Barton James of number one Harmony avenue, Donnybrook, on which sat a fare, a young gentleman, stylishly dressed in an indigoblue serge suit made by George Robert Mesias, tailor and cutter, of number five Eden quay, and wearing a straw hat very dressy, bought of John Plasto of number one Great Brunswick street, hatter. Eh? This is the jingle that joggled and jingled. By Dlugacz’ porkshop bright tubes of Agendath trotted a gallantbuttocked mare.

—Answering an ad? keen Richie’s eyes asked Bloom.

—Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.

Bloom mur: best references. But Henry wrote: it will excite me. You know how. In haste. Henry. Greek ee. Better add postscript. What is he playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want to. Know. O. Course if I didn’t I wouldn’t ask. La la la ree. Trails off there sad in minor. Why minor sad? Sign H. They like sad tail at end. P. P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee.

He blotted quick on pad of Pat. Envel. Address. Just copy out of paper. Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:

Miss Martha Clifford c/o P. O. Dolphin’s Barn Lane Dublin.

Blot over the other so he can’t read. There. Right. Idea prize titbit. Something detective read off blottingpad. Payment at the rate of guinea per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U. P: up.

Too poetical that about the sad. Music did that. Music hath charms. Shakespeare said. Quotations every day in the year. To be or not to be. Wisdom while you wait.

In Gerard’s rosery of Fetter lane he walks, greyedauburn. One life is all. One body. Do. But do.

Done anyhow. Postal order, stamp. Postoffice lower down. Walk now. Enough. Barney Kiernan’s I promised to meet them. Dislike that job. House of mourning. Walk. Pat! Doesn’t hear. Deaf beetle he is.

Car near there now. Talk. Talk. Pat! Doesn’t. Settling those napkins. Lot of ground he must cover in the day. Paint face behind on him then he’d be two. Wish they’d sing more. Keep my mind off.

Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of his hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits while you wait. While you wait if you wait he will wait while you wait. Hee hee hee hee. Hoh. Wait while you wait.

Douce now. Douce Lydia. Bronze and rose.

She had a gorgeous, simply gorgeous, time. And look at the lovely shell she brought.

To the end of the bar to him she bore lightly the spiked and winding seahorn that he, George Lidwell, solicitor, might hear.

—Listen! she bade him.

Under Tom Kernan’s ginhot words the accompanist wove music slow. Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband took him by the throat. Scoundrel, said he, You’ll sing no more lovesongs. He did, faith, sir Tom. Bob Cowley wove. Tenors get wom. Cowley lay back.

Ah, now he heard, she holding it to his ear. Hear! He heard. Wonderful. She held it to her own. And through the sifted light pale gold in contrast glided. To hear.

Tap.

Bloom through the bardoor saw a shell held at their ears. He heard more faintly that that they heard, each for herself alone, then each for other, hearing the plash of waves, loudly, a silent roar.

Bronze by a weary gold, anear, afar, they listened.

Her ear too is a shell, the peeping lobe there. Been to the seaside. Lovely seaside girls. Skin tanned raw. Should have put on coldcream first make it brown. Buttered toast. O and that lotion mustn’t forget. Fever near her mouth. Your head it simply. Hair braided over: shell with seaweed. Why do they hide their ears with seaweed hair? And Turks the mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave. No admittance except on business.

The sea they think they hear. Singing. A roar. The blood it is. Souse in the ear sometimes. Well, it’s a sea. Corpuscle islands.

Wonderful really. So distinct. Again. George Lidwell held its murmur, hearing: then laid it by, gently.

—What are the wild waves saying? he asked her, smiled.

Charming, seasmiling and unanswering Lydia on Lidwell smiled.

Tap.

— Joyce —

\Finnegans Wake\ [1939]: B1E1P5-7

Bygmester Finnegan, of the Stuttering Hand, freemen’s maurer, lived in the broadest way immarginable in his rushlit toofarback for messuages before joshuan judges had given us numbers or Helviticus committed deuteronomy (one yeastyday he sternely struxk his tete in a tub for to watsch the future of his fates but ere he swiftly stook it out again, by the might of moses, the very water was eviparated and all the guenneses had met their exodus so that ought to show you what a pentschanjeuchy chap he was!) and during mighty odd years this man of hod, cement and edifices in Toper’s Thorp piled buildung supra buildung pon the banks for the livers by the Soangso. He addle liddle phifie Annie ugged the little craythur. Wither hayre in honds tuck up your part inher. Oftwhile balbulous, mithre ahead, with goodly trowel in grasp and ivoroiled overalls which he habitacularly fondseed, like Haroun Childeric Eggeberth he would caligulate by multiplicables the alltitude and malltitude until he seesaw by neatlight of the liquor wheretwin ’twas born, his roundhead staple of other days to rise in undress maisonry upstanded (joygrantit!), a waalworth of a skyerscape of most eyeful hoyth entowerly, erigenating from next to nothing and celescalating the himals and all, hierarchitectitiptitoploftical, with a burning bush abob off its baubletop and with larrons o’toolers clittering up and tombles a’buckets clottering down.

Of the first was he to bare arms and a name: Wassaily Booslaeugh of Riesengeborg. His crest of huroldry, in vert with ancillars, troublant, argent, a hegoak, poursuivant, horrid, horned. His scutschum fessed, with archers strung, helio, of the second. Hootch is for husbandman handling his hoe. Hohohoho, Mister Finn, you’re going to be Mister Finnagain! Comeday morm and, O, you’re vine! Sendday’s eve and, ah, you’re vinegar! Hahahaha, Mister Funn, you’re going to be fined again!

What then agentlike brought about that tragoady thundersday this municipal sin business? Our cubehouse still rocks as earwitness to the thunder of his arafatas but we hear also through successive ages that shebby choruysh of unkalified muzzlenimiissilehims that would blackguardise the whitestone ever hurtleturtled out of heaven. Stay us wherefore in our search for tighteousness, O Sustainer, what time we rise and when we take up to toothmick and before we lump down upown our leatherbed and in the night and at the fading of the stars! For a nod to the nabir is better than wink to the wabsanti. Otherways wesways like that provost scoffing bedoueen the jebel and the jpysian sea. Cropherb the crunch-bracken shall decide. Then we’ll know if the feast is a flyday. She has a gift of seek on site and she allcasually ansars helpers, the dreamydeary. Heed! Heed! It may half been a missfired brick, as some say, or it mought have been due to a collupsus of his back promises, as others looked at it. (There extand by now one thousand and one stories, all told, of the same). But so sore did abe ite ivvy’s holired abbles, (what with the wallhall’s horrors of rollsrights, carhacks, stonengens, kisstvanes, tramtrees, fargobawlers, autokinotons, hippohobbilies, streetfleets, tournintaxes, megaphoggs, circuses and wardsmoats and basilikerks and aeropagods and the hoyse and the jollybrool and the peeler in the coat and the mecklenburk bitch bite at his ear and the merlinburrow burrocks and his fore old porecourts, the bore the more, and his blightblack workingstacks at twelvepins a dozen and the noobibusses sleighding along Safetyfirst Street and the derryjellybies snooping around Tell-No-Tailors’ Corner and the fumes and the hopes and the strupithump of his ville’s indigenous romekeepers, homesweepers, domecreepers, thurum and thurum in fancymud murumd and all the uproor from all the aufroofs, a roof for may and a reef for hugh butt under his bridge suits tony) wan warning Phill filt tippling full. His howd feeled heavy, his hoddit did shake. (There was a wall of course in erection) Dimb! He stottered from the latter. Damb! he was dud. Dumb! Mastabatoom, mastabadtomm, when a mon merries his lute is all long. For whole the world to see.

— Joyce —

monolith_red








T
he election challenge standing:
moved ballot observers standing —
election results: still standing.

*[ WSB ]_.

Occupation: Poet.

Occupation: Poet.

[This is only a text.]

Standing

Occupation: Poet.

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