
Recoloured version | Femme au gant noir [1920]: Albert Gleizes
wonderful medium
elastic owes splendid
expressive power to
millennial thought and
moil;
modern epilogue
shaking off the shackles
Victorian, the scaffolds
of landscape linear, for
novelistic poetry:
geometrical the
shafts of light cutting
corridors that echo,
littered with glass cubistic,
and particles like snow.
*[ WSB ].